FOCUS ON BLACK ART

Sean Mpetiwa’s works are self-portraits of a generation: vibrant, fleshy, ever-moving figures that map the everyday life, joys, anxieties, and survival strategies of Zimbabwean youth.

Amanda Shingirai Mushate’s paintings resemble maps, where fluid lines and vibrant color blocks unfold into complex universes. As she explains, they are emotional landscapes, charting her past, present, and imagined future. Their fluidity and sensitive rhythm also convey a distinctly female experience, while for the artist painting is a way of following music, rhythm, and flow—her brushstrokes moving fast or slow, in tune with the song.

First Floor Gallery Harare presents Maoko Maranda, a new body of work by Zimbabwean artist Tashinga Majiri. Here, hands are never just hands — they become metaphors for identity, memory, and resilience. They carry stories of labor and struggle, but also of tenderness and creation. In this conversation, Majiri also speaks about hands as characters, the rhythm linking his poetry and paintings, and the dialogue between tradition and contemporary life.

Gresham Tapiwa Nyaude impressed me with his unique style, which transcends classic Black figurative art. His works are not only vibrant...

When I first saw his paintings, I was fascinated by how Nigerian artist Akindele John balances the ordinary and the sacred.

I believe in people's freedom to express themselves and move through life without fear

I can only tell my story, I don't want to speak for anyone else

Beauty is about your skin, the way you dress, and the way you talk

Sometimes showing humanity is like a piece of art