FOCUS ON BLACK ART

Sean Mpetiwa’s works are self-portraits of a generation: vibrant, fleshy, ever-moving figures that map the everyday life, joys, anxieties, and survival strategies of Zimbabwean youth.

When we first met with Frank Nkosiyabo, I was struck by his exuberance—an active, focused energy that informs not only the way he handles paint, but the way he steers his own career

Amanda Shingirai Mushate’s paintings resemble maps, where fluid lines and vibrant color blocks unfold into complex universes. As she explains, they are emotional landscapes, charting her past, present, and imagined future. Their fluidity and sensitive rhythm also convey a distinctly female experience, while for the artist painting is a way of following music, rhythm, and flow—her brushstrokes moving fast or slow, in tune with the song.

First Floor Gallery Harare presents Maoko Maranda, a new body of work by Zimbabwean artist Tashinga Majiri. Here, hands are never just hands — they become metaphors for identity, memory, and resilience. They carry stories of labor and struggle, but also of tenderness and creation. In this conversation, Majiri also speaks about hands as characters, the rhythm linking his poetry and paintings, and the dialogue between tradition and contemporary life.